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Fine Arts in the USA
Ten Good Reasons Why
There are many reasons why international
students should elect to study the fine arts in the United
States. In the style of talk-show host David Letterman, I'll
give you at least ten good reasons:
10.
American universities are truly multiversities. They are filled
with diverse populations - even among the American-born. Institutions
of higher learning in the United States provide an opportunity
to study and experience a variety of cultures because of the
rich ethnic makeup of most campuses. African Americans, Asian
Americans, and Hispanic Americans constitute the majority
of the minority ethnic populations; however, Native Americans,
North Americans, South Americans, and a variety of immigrants
and refugees make for one of the most interesting cultural
environments in which to learn and to create. Despite such
differences, American students are, for the most part, open
and receptive to new friends. American institutions are places
where international students can be comfortable, because cultural
differences are not just tolerated but prized.
9. Respectable artists are in residence in colleges
and universities across the United States. The reputations
of institutions are judged on the quality of their faculty.
Even small, private liberal arts schools retain high quality
artists, professional and active designers, and scholars who
perpetually engage in research within the teaching ranks.
Additionally, visiting artists frequently refresh students
through short-term residencies, extending the educational
experience beyond the studio or classroom. Faculty maintain
professional records of exhibitions or publication - a requirement
for retention in American institutions. Class sizes in the
fine arts are small, so students can expect to have intense
and professional studies throughout their programs.
8. Faculty in American institutions dedicate
themselves to teaching and use a variety of teaching strategies.
Students will find that faculty enjoy training apprentices,
and congeniality prevails between faculty and students. Faculty
employ a wide range of teaching techniques to bring about
learning: demonstrations, critiques, lecturing, technology-assisted
presentations, student presentations, field trips, museum
visits, interdisciplinary projects, and research projects.
Similarly, Master of Fine Arts students may be awarded a graduate
assistantship which entails teaching or studio-support activities.
They will be expected to engage in a wide variety of teaching
methods too. Generally, assistantship duties involve about
twenty hours of work with various levels of supervision. Some
institutions expect graduate assistants to teach undergraduate
courses; others serve in a guided-apprenticeship program.
Graduate assistantships often provide tuition waivers and
modest stipends.
7. The sub and allied disciplines of the fine
arts (design, history, pedagogy, theory and studio work) are
housed in either one department or a single collegiate unit.
The undergraduate curriculum is charted in such a fashion
that course experiences are sequences for graduated skill,
maximum transfer and connectivity to subsequent studies. For
example, at the bachelors degree level, students begin with
a year of foundation studies (drawing, 2 and 3 dimension design,
art history). Then they may concentrate on a major studio
area during the second year. A variety of elective courses
(history and studio) enrich the major area throughout the
remaining years. Bachelor of Fine Arts and Master of Fine
Arts degrees contain anywhere from 75% to 100% art courses.
It is common for students to spend five years completing the
BFA, two years for the MFA. Additional required undergraduate
courses may include liberal arts courses (communications,
natural and social sciences, math, foreign languages). Both
programs culminate with a solo exhibition. Advisors in American
colleges and universities give students practical counsel
assisting them in course selection, meeting degree requirements,
interpreting university policies, and preparing for the job
market.
6.
Students can expect their studies to include electronic arts
alongside the time-honored traditions. Painting classes may
involve preparation of rough illustrations using 'Photoshop'
at the computer. Three-dimensional design projects will necessitate
facility with a variety of technology to realize concepts.
While digital photography and myriad peripherals bring the
art form to the 21st century, century-old techniques probably
prevail in printmaking studios. American universities are
typically equipped with cutting-edge equipment to facilitate
the best practices in art-making. Some universities require
students to purchase a high-end computer for their use throughout
the degree program. Select institutions have university museums
on their campuses, permitting students to have daily access
to bodies of fine art - a luxury many students relish.
5. America is still 'the land of the free and
the home of the brave.' Artistic expression reflects that
spirit, and so do the curricula. American art might be described
as relatively young and fresh. Certainly the United States
is a young country, with cultural conventions of its own.
Yet students will find that the fine arts course policies
are rather prescribed. Daily learning experiences are variable,
and allow students some flexibility. However, American teachers
require students to attend classes and studios every day.
This should not be confused with rigidity of teaching philosophy
- faculty encourage their students to develop individually,
blaze trails artistically, and take risks. This may take the
form of independent study projects, but the goal of most programs
is to train students to be thoroughly professional and independent
upon graduation. Faculty discourage students from falling
into 'derivative' traps. Consequently, students are critiqued
honestly, openly and frequently. Many institutions have portfolio
reviews at certain intervals - such as the admission to the
program, interim program reviews for continuance, and senior
or master's student exhibitions and/or exit portfolio reviews.
4. Since most American students are quite mobile,
international students should plan to discover America during
their study in the United States. In addition to the diversity
of cultures, the dramatic differences in terrain, architecture,
politics, socio-economic levels, and educational levels offer
many opportunities to widen one's artistic and cultural horizons.
America is not homogeneous, and a single campus experience
cannot be extrapolated. Some institutions regularly schedule
field trips for students to visit museums and galleries of
import. It is incumbent upon international students to take
on the 'frontier' mind-set when they arrive in the States.
3. Wellness and health-conscious behaviors are
integrated into the fine arts programs throughout America.
Safe equipment, chemicals, workshops and studios are federally
required. The departments of art pay close attention to safety
factors, and students should be given training for their protection.
Another aspect of wellness is an emphasis on exercise, nutritious
diet, and smoke-free classrooms which are common on many campuses.
2. International students will have plenty of
chances to refine their English-speaking skills! Regrettably,
most American faculty and students do not know foreign languages.
Consequently, international students will find that Americans
are interested in and patient with people speaking English
as their second language.
1. Selfishly, the best reason students should
come to America to study is that they will give American students
an international education. Indeed, Americans acknowledge
the reality of the global village. Students coming to the
United States will be able to exchange cultures - to be invited
into the homes and hearts of American students, to share different
perspectives, and to grow in understanding. Clearly, the presence
of international students enhances the education of all.
Author
Margaret Merrion
President, International Council of Fine Arts
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